
Listen to the Engadget Mobile Podcast, live at 5PM ET! originally appeared on Engadget on Fri, 03 Feb 2012 16:00:00 EDT. Please see our terms for use of feeds.
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Tip confirms second remix in the works for track, which previously featured a remix verse from Andre 3000.
By Jocelyn Vena
<P>Ke$ha's already gotten "Sleazy" with Andre 3000. Now, a few more rappers want to get dirty with the glittery pop singer. XXLmag.com reports that T.I. plans to jump on the track, and Lil Wayne and Wiz Khalifa will also be joining Andre and Tip on a new version of "Sleazy." Weezy should be a welcome addition to Ke$ha's dance tune, as it sounds somewhat like Wayne's single "A Milli." And while not much else is known about the remix, T.I. promised that he's going to go big with his verse. "I haven't heard anybody but mine. ... I'm gonna put my money on mine," the newly freed rapper, who ended an 11-month prison sentence in September, told the website. The Andre 3000 remix dropped earlier this year and appears on K-Dollar Sign's album <i>Cannibal.</i> The guys will have a lot of swagger to compete with because when Andre appeared on the first remix, he had this to say: "We start out so cute in our baby pictures/ That mama shot for our daddy so that he wouldn't forget you/ He forgot anyway, but hey, one day he'll remember/ If not, he's human, I'm human, you human, we'll forgive him/ I call her Keisha, she like it because it's 'hood to her/ She call me Andre 6000 because I'm good to her." Tip told XXLmag.com that his appearance on the Ke$ha song is just one of many remixes he's amped about. He has also worked on remixes for Meek Mill and Rick Ross's "Ima Boss," as well as Jay-Z and Kanye West's <i>Watch the Throne</i> song "N---as in Paris." "I'm looking for some more records to jump on," he said. "That's what I'm doin' right now. I'm commandeering hit records right now. I'm hijacking hit records. If you got a hit, I'm on it." <i>Are you looking forward to the new "Sleazy" remix? Tell us in the comments!</i></p>
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Continue reading Steve Appleton, CEO of Micron, dies in plane crash at 51
Steve Appleton, CEO of Micron, dies in plane crash at 51 originally appeared on Engadget on Fri, 03 Feb 2012 16:18:00 EDT. Please see our terms for use of feeds.
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Teen superstar was spotted with new hairstyle in Los Angeles over the weekend.
By Jocelyn Vena
Justin Bieber
Photo: Getty Images
<P>About a year ago, Justin Bieber made headlines when he lopped off his famous locks in favor of a shorter do. Now, almost 12 months later, he's once again making some hair-related headlines. </p><div class="player-placeholder right" id="vid:667806" width="240" height="211"></div><p> So, what has Bieber done now that has everyone <i>buzz</i>ing? Well, over the weekend, the Biebs was spotted in Los Angeles donning much darker hair than his trademark sandy blond. When Bieber cut off his hair last year, MTV News spoke to his hairstylist, Vanessa Price, who told us about his new look, noting that it had a lot to do with Bieber's growing pains. "We knew it was going to be a big deal," Price explained. "We knew it was going to shock fans, but we also knew it was going to be a change in terms of growing up. I think that's something that people adjust to. "We'd been talking about it for a while and shared some ideas, but literally the day of he was adamant about the haircut. He amped himself up for it," Price continued, before describing his momentary hesitation. "The minute we started cutting, he was like, 'Wait, wait, wait.' He loves it. He's enjoying it." The new hair color coincides with his girlfriend Selena Gomez's hairstyle changes. She recently tweeted a photo of herself sporting multi-colored highlights in her hair. Bieber's new look may be part of a makeover for his upcoming album, <i>Believe,</i> slated for release later this year. He confirmed last week that Black Eyed Peas frontman will.i.am will appear on the album. Not only does Bieber want to grow up when it comes to his look but also when it comes to his music. "The only conversation we've had about Justin's album that we're about to do is it's really important that it's the proper transition, because we've seen him [with] 'Baby,' now we're watching him grow up," Bieber's longtime vocal producer Kuk Harrell told MTV News in November. "And we can't just throw him into the adult game right away. It has to be the proper transition."</p>
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The magic of Madonna's parallel romantic storytelling appears to have been lost on critics.
By Kara Warner
Madonna directing "W.E."
Photo: The Weinstein Co.
In addition to her heavily hyped performance at Super Bowl XLVI this weekend, Madonna has been busy writing and directing her second movie, "W.E.," which follows the real-life love story of American divorcée Wallis Simpson and King Edward VIII during the '30s, as well as a parallel story of a fictional American woman set in 1998 who became obsessed with Simpson's story.
The film has received some early awards-season love, including a Golden Globe win for Best Original Song and another Globe nomination for Best Original Score, but judging by its 17 percent fresh rating at Rotten Tomatoes, the magic of the romance seems to have been lost on critics. Read on as we sift through the "W.E." reviews:
The Parallel Storytelling
"Madonna and co-screenwriter Alek Keshishian try to fuse the threads of two very different tales, set several eras apart, to provide elucidation on the nature of love. But there's not much illumination to be had. There is, however, plenty of pretentious folderol. Clothes, jewelry and expensive trinkets are fraught with superficial symbolism. The more intriguing of the two stories centers on the 1930s romance and marriage of chic American divorcée Wallis Simpson and Great Britain's King Edward VIII, who abdicated the throne to marry her. (The title stands for Wallis and Edward.) ... Jumping forward to 1998, the second story is about Wally Winthrop (Abbie Cornish) and her fascination with Simpson. Married to a self-absorbed and abusive psychiatrist, Wally roams New York City in a state of gloomy reverie. She forges an unlikely bond with Evgeni (Oscar Isaac), a guard at Sotheby's, where she goes often to look at the royal paraphernalia about to be auctioned. The disparate strands of the two stories never make much sense the way they're braided together. Presumably, the more Wally learns about the sacrifices Wallis made, the more she is emboldened to follow her heart and leave her own unhappy marriage. Yet what she uncovers about the Duke and Duchess is not always pretty." — Claudia Puig, USA Today
Madonna as Writer/Director
"The upshot is that instead of a film about a love that conquered a king and nearly undid a kingdom, Madonna has come up with a female friendship movie, which would be fine if she weren't busy trying to prove her art-film bona fides. At her entertainer best, Madonna distilled ideas and emotions into solid pop gold, transmitting a worldview through songs, music videos and her shape-shifter persona. The movies, by contrast, have largely defeated her both as an actress and as a director. As a mystical female friendship movie, 'W.E.' has its pull, but it never coheres, shredded by its editing and its pretensions, like Mrs. Simpson dancing to the Sex Pistols with a woman in African tribal regalia because, I'm guessing, Madonna likes the way Sofia Coppola used New Order's music in 'Marie Antoinette.' " — Manohla Dargis, The New York Times
The Chick-Flick Factor
" 'W.E.' (which interlocks with 'The King's Speech' — Bertie pops up in a couple of scenes here just as David appeared in that one) is very much a woman's picture. The men, except the Sotheby's security guard, mainly serve as obstacles or targets. That viewpoint is daring and kind of refreshing; a recent study noted that some two-thirds of the dialogue in Hollywood movies is spoken by men (in my experience, that is a reversal of reality). In the Wallis portions, Madonna presents a frank, unashamed defense of gold-digging, though she does unconvincing penance for this in the Wally story, in which the bride proves lonely and bored in her Upper East Side castle. After more than 40 years of feminism, the gold-digging subtext remains as central to female fantasy as it is in Jane Austen novels, and it's implicit in most of those rom-coms in which, just by sheer coincidence, true love happens with the owner of a chain of bookstores, or the millionaire a gal meets while working the streets. If the woman virtuously chooses love over money, she gets the lucre anyway." — Kyle Smith, The New York Post
The Final Word, Pro-Con Style
"If anyone, Madonna certainly understands the crazy pull of celebrity obsession, and it's an intriguingly romantic premise she presents, interweaving Wally's story with the Duchess', often triggered by the modern woman's handling of certain artifacts belonging to the late, almost-Queen of England, who even begins to appear to her in hallucinations, to offer world-weary advice and/or disapproval. The director tells the Duchess' story with surprising verve, historical accuracy and style, a huge improvement over the nastily cartoonish way the couple was represented in the overrated 'The King's Speech' last year. There are a few clichéd missteps, as when Edward's mother, Queen Mary (Judy Parfitt), clucks, 'This is a pretty kettle of fish!' over her son's scandal, but, for the most part, the historical sequences have a thrilling élan, aided by the crack photography, art direction and especially Arianne Phillips' superbly accurate costume design for this most chic of fashion eras. Taking a cue, perhaps, from Sofia Coppola's 'Marie Antoinette,' Madonna has also effectively interpolated modern pop-rock music along with the usual Deco cocktail standards of the era." — David Noh, FilmJournal.com
"You can't call 'W.E.' a total disaster; it's too pretty, too nonsensical and finally too insignificant for that. Rather, it's a heavily decorated and overly complicated exercise in female narcissism, which in its plotless meandering fashion seeks to draw a mystical connection between an unhappy Manhattan wife and Wallis Simpson (Andrea Riseborough), the Baltimore socialite who married King Edward VIII. Riseborough gives a richly enjoyable performance as the prickly, strange and not especially beautiful American who pulled a king and emperor from his throne, and some of the 1930s scenes are pretty fun, after the fashion of outtakes from 'The King's Speech' turned into music videos or haute couture shoots. Madonna and co-writer Alek Keshishian (who directed 'Truth or Dare' way back in 1991) go right at the historical reputation of Wallis and Edward as Nazi sympathizers, and to the extent that 'W.E.' is an attempt to rehabilitate them at least it has a clear agenda." — Andrew O'Hehir, Salon.com
Check out everything we've got on "W.E."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Windows Home Server 2011 released to manufacturers originally appeared on Download Squad on Wed, 30 Mar 2011 08:30:00 EST. Please see our terms for use of feeds.
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His 'grandparents or something were opera singers,' Julianne Hough tells MTV News of Cruise's singing voice.
By Jocelyn Vena
Tom Cruise in "Rock of Ages"
Photo: Courtesy Tom Cruise
If you were wondering whether Tom Cruise can deliver in the singing department, his "Rock of Ages" co-star has the answer, and it appears to be a resounding "Yes." The film's leading lady, Julianne Hough, raved about Cruise to MTV News just this week.
"Oh, he's fantastic," Hough said. "If I remember correctly, I hear his ... grandparents or something were opera singers, so he has this tone and this pitch that is incredible."
The actress, who hopped on the phone with us to dish about the March 6 DVD release of "Footloose," also gushed about the A-lister's work ethic. "Anybody who knows Tom knows that he literally is the most hardworking and intense and committed actor out there," she added. "He, literally, would do lessons every day for hours trying to perfect it and perfect it and he really did it. He was fantastic."
And Hough should know. As Sherrie Christian, she shares the screen with Cruise's fictional rock-star character, Stacee Jaxx.
"There's a lot of songs that I'm singing, and I know a lot of its being cut out because of time and everything," she explained. "I'm scared to say what my favorite one is because it might not even be in the movie now [laughs], but I loved singing [the Scorpions song] 'Rock You Like a Hurricane' with Tom. That was really unbelievable. I sing a lot with Mary J. Blige and, I mean, anything I sing with her, I'm like dying. She's incredible. A lot of songs are really fun."
"Rock of Ages" — based on the hit Broadway musical of the same name — is directed by Adam Shankman and follows Hough's Sherrie Christian, who falls in love while trying to navigate Los Angeles in the 1980s.
"It's an incredible film to be a part of," she said. "I think the musical was so fun, people had such a blast going and seeing the show, that it was kind of an obvious decision that they should make it into a film. And, I mean, these songs are so iconic. ... It's very cool to be a part of and the cast is incredible and my character is fun. I got to show a little bit more comedy in this one, which is really fun."
Alec Baldwin, Malin Akerman, Russell Brand and Catherina Zeta-Jones also star in the movie, set to hit theaters in June.
Do you think Tom Cruise can really sing? Tell us in the comments!
Check out everything we've got on "Rock of Ages."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Source: http://www.mtv.com/news/articles/1678367/rock-of-ages-tom-cruise-julianne-hough.jhtml
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See how the newly engaged Big Miracle star has changed -- from her cherub-cheeked early days to her status as a Hollywood golden girl
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